Best Episode From Every Season of The Crown So Far
The Crown So Far : After three queens and six seasons, The Crown will close this winter, with the final installment of Peter Morgan’s recurring soap, the always-polarizing drama due to hit Netflix in two installments. The first, consisting of four episodes, premiering on November 16, retraces the final months of Diana, Princess of Wales, as well as the royal family’s reaction to her Axis-immigrated death.
Given that British monarchists (and the tabloids they read) have objected to Morgan’s decision to bring back the almost institutional upheaval tension between Diana and the Windsors in previous seasons, It’s more likely that this rebuild, which is really an update, will end up being the most controversial one to yet. the public disappointments and emotional suffering that followed for both King Charles III and the late Queen Elizabeth II, as well as how William and Harry, the young princes, were impacted by Diana’s passing and funeral, rather than the People’s more Princess’s real demise in the Paris of Pont de l’Alma tunnel.
Ahead of the release of Season 6: Part I, Vogue breaks down the best episodes of The Crown so far.
The Crown So Far Season 1, “Hyde Park Corner”
The scene where 25-year-old Princess Elizabeth learns that her father, King George VI, has passed away and leaves her with Elizabeth Regina as a barren daughter is heartwarming, regardless of your feelings toward the royal family. Here, in the gardens of the Kenyan treetops loaded with plumeria, Claire Foy and Matt Smith are at their best; their gazes subtly convey the crushing weight of their anguish and the heavy weight of their duty.
The message is clear: the head that wears the crown is heavy, a fact underlined as the newly anointed king is draped in black crepe and mourning pearls on the royal plane as he reads a letter from his grandmother, Queen Mary: “Dear Lilibet, I my son, Know how you loved your dad. And I know this loss will leave you as devastated as I am. But duty calls for you to put those feelings aside for the moment.
After her father death, there will be a general period of sorrow. Your leadership and strength will be required by your people. I have seen three great monarchies brought down by their failure to separate personal indulgence from duty. You should not allow yourself to make the same mistakes.
Runner-up: “Pride and Joy,” if only to get a peek of what goes into creating a royal tour outfit.
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The Crown So Far Season 2, “Matrimonium”
The most fascinating plot line in the second season of The Crown is Princess Margaret’s seemingly disastrous relationship with Vogue photographer Antony Armstrong-Jones, who is portrayed charmingly by Matthew Goode — an obvious truth in “Matrimonium.”Margaret takes Alka-Seltzer, which was given to her at Clarence’s house on a silver tray, to treat her with her hangover at the start of the episode.
After receiving a letter from Group Captain Peter Townsend, in which he confesses to proposing to the 19-year-old, Margaret breaks a crystal vase of hyacinths. Year-old Belgian heiress Marie-Luce Jamagne. Thus begins Margaret’s desperate quest to issue a marriage announcement before her former lover, “Tony” eventually proposes with a ruby hidden inside a hat box, inside a Fortnum & Mason package, in a film canister. (The Crown So Far).
There is no denying the intensity of the relationship between the princess and the high-rolling bohemian; in fact, the Earl of Snowdon’s proposal seems more like a test than a proclamation of a deeper love., when combined, they are achingly cool and quite unbelievably charming—qualities that are uncommon among the Windsors. The scene where Margaret and Tony roar away from Buckingham Palace on their Triumph motorcycles to the strains of Max Richter’s “Four Seasons: Reimagined,” the Victoria Memorial trailing in the distance behind them, is the most memorable and poetic of the whole category.
Runner-up: Dear Mrs. Kennedy, the presence of Americans is the clearest indicator of the quirks of the English.
The Crown So Far Season 3, “Aberfan”
“Promise me one thing: I won’t be bored,” Tony begged Margaret, deciding to marry. None of the showrunners of The Crown have delivered on their promises, as the episode “Matrimonium” that the Queen Mother watches in season three is as uninteresting as a Galapagos documentary. (Exhibit A: The 56-minute program “Moondust,” which tells the story of the Duke of Edinburgh’s infatuation with astronauts.) There is one notable exception, however, and that is “Aberfan.” Yes, this is The Crown, meaning the royal family’s response (or lack thereof) to the mining disaster is the focus of the episode, but Morgan makes the real human cost of the colliery collapse on October 21, 1966, feel the most. Guts of passage.
Please join the pupils who sang “Everything Bright and Beautiful” during the half-term assembly at Pantglass Junior School, who lost 116 of their classmates in the landslide. Aberfan asks us to consider if the queen’s incapacity to experience her own feelings her refusal to cry in the hospital or at the grave is a virtue or a vice while withholding the tears. Tywysog Cymru is replete with references to this idea. Maybe you’re not as resilient as I am, but it seems like you are.
Runner-up: Charles’s humanity is shown by “Tyvisog Cymru,” despite his persistent lack of empathy.
The Crown So Far Season 4, “Fairytale”
In art as in life, with Lady Spencer’s introduction to The Crown, every other member of the royal family became a little less interesting. The portrayal of the Princess of Wales’s accession into the House of Windsor in Fairytale is unnerving because it shows how, in a single hour, several trigger points are set in motion that the would ultimately result in there fall of the monarchy. Most of which, at least on screen, revolves around Diana’s insatiable need for affection and Charles’s natural incapacity to give it to her.
The Crown really makes clear in this episode just how naive Diana was about the kind of relationship she was entering into with her marriage and how quickly the scales fell from her eyes. A few minutes later, we see her sitting next to Camilla Shand in a restaurant. We see her celebrating her engagement by driving past Buckingham Palace in a London taxi and listening to “Edge of Seventeen” with her fellow Coleherne Court Sloans. The menacingly named Ménage à Trois begins to note the extent of the problem, similar to “Fred and Gladys”.
Runner-up: “Terra Nullius,” the crucible of modern celebrity and ancient royalty.
The Crown So Far Season 5, “Couple 31”
“Couple 31” feels intimate, subtle, and—whisper it—relatable, especially given its setting at Kensington Palace, in contrast to the fireworks of the previous episode (“Gunpowder”), which focused on the panorama. There are moments in The Crown’s final season that resemble Lifetime movies. You almost wish the whole 2-5 minutes had been devoted to an autopsy of Charles and Diana’s marriage, which was supposed to be omelets but turned out to be more like scrambled eggs, in the scene that closes the apartment.
Morgan uses an awful metaphor, but you can forgive him since Dominic West and Elizabeth Debicki play two very different but equally compelling characters who, after much frenzy, come to terms with the idea that they and everyone else in their circle have failed. The future king and his would-be queen were at odds, and their silent contemplations about what they “could have done differently” turned into a violent argument. Their final words to each other are so bittersweet, it’s almost a physical relief when their divorce is decreed in the following scene.
Runner-up: “Mou Mou,” where Mohamed El-Fayed takes center stage in a sign of things to come.
